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2019/08/22 12:45

From the 1920' s to 1930' s: Country Blues

Acoustic blues singers and guitarists from the Southern agricultural community had started recording from 1923. 

 

Among the foremost singers of the farming villages in this period, Blind Lemon Jefferson made his first recording in 1926.

 

He was born in 1897 in a farming village near Wortham, Texas, about eighty miles south of Dallas. 

 

As is evident from his nickname, he was a blind musician.

 

Blind musicians served an important role in the history of the blues, because they could not make a living as farmers.

 

Many of them depended on playing music, and that made them foremost singers.

 

Jefferson, later known as the “Down Home Bluesman”, was a singer full of great talent who was recognized for both his creative guitar technique and songwriting abilities.

 

He would often duplicate other sounds with his guitar.

 

In Jefferson’s blues, the call and response style of work songs is reflected in his high pitched vocal and the simple phrase of the guitar answering it. 

 

This style was adopted by many other bluesmen working in Dallas in the same period.

 

The lines below is the song named “Black Snake Moan”. 


The song is an example of how Jefferson used suggestive sexual imagery: 

 

Oh, ain’t got no mama now 

 

Oh, ain’t got no mama now

 

She told me last night 

 

“You don’t need no mama no how”

 

 

Mmm, black snake crawlin’ in my room

 

Mmm, black snake crawlin’ in my room

 

Some pretty mama better come

 

And get this black snake soon

 

(snip)

 

The song was recorded in 1926 and sold over 100 thousand copies.

 

Stimulated by his success, acoustic country bluesmen attracted the attention of the record companies to which classic blues singers belonged, and country blues were recorded one after another in the late 20’s.

 

After that, Jefferson recorded about 100 songs for Okeh and Paramount up to 1926.

 

He died on the road to Chicago in December, 1930.

 

Even though he died young and could work as a bluesman for only a short time, his influence on the younger artist had become greater. 

 

Leadbelly, who had played together with him for a period of time, ‘T-Bone’ Walker, who is known as the “Father of Modern Blues Guitar”, B.B. King, and other artists often talked about their younger days with Jefferson.